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Compositions | Audio  
 

Repexus II (2010)

Distortions (2008)

Descent (2008)

Day's Counterlight (2007)

Repexus (2007)

Silent Sister (2007)

Partita for Solo 'Cello (2007)

Arcuare (2007)

Bacchae Fragments (2006)

Bacchae (2006)

Dosillos y Humeros (2005)

Trio for Flute, Viola, and 'Cello (2005)

Cold Pastoral (2004)

Compassinges (2003)

5 Songs (2002-2004)

Closing Time (2002/2004)

Dem Herbste Gleich (like autumn) (2001)

Motet: tota pulchra es (2000)

Variations (2000)

Sonata: "une verrerie éphémère" (1999)

Sonatina for Solo Violin (1998)

Cantata (1996)

 

Works for Orchestra or Large Ensemble

 

Distortions for symphonic winds (2008)
dur. ca. 12'
4[1.2.3.pic] 4[1.2.3.eh] 7[7/bcl] 3[1.2.cbn] - 4 3 3 2

 

Repexus for 12 saxophones (2007)
dur. 10'30"
3 soprano, 3 alto, 3 tenor, 2 baritone and bass saxophones


Arcuare
for orchestra (2006)
dur. 12'30"
3[1.2.pic] 3[1.2.eh] 3[1.2.Bcl] 3[1.2.cbn] - 4331 - timp / 4[see score for percussion list] - pf/cel - hp - strings


Bacchae Fragments
for 12 percussionists (2006)
dur. 9"
(see score for complete instrumentation)


Dem Herbste Gleich (like autumn) for orchestra (2001; rev. 2003)
dur. 13'
3[1.2.3/pic] 3[1.2.eh] 2 2 - 4221 - timp / 2[glock., xyl, chimes, tgl, cym, sus.cym, tam-tam, bd] - hp -strings

 

Variations for chamber orchestra (1999 - 2000)
dur. 18'
1[/a.fl] 1[/eh] 2[1.bcl] 1 - 111 - timp / 2[3 sus.cym, 2 tam-tams, sd, 2 tom-toms, bd (ped), bd, chimes, glock, vib, mar, 4 gongs] - pf - hp - str [2221]

 

Works for Small Ensemble

 

Repexus II (2010) for String Quartet
dur. 11'30"

 

Day's Counterlight: Five Hölderlin Fragments (2007) for mezzo-soprano and ensemble (cl., vn, va, vc, pno)
dur. 15'

 

Trio for Flute, Viola, and Violoncello ("dust shelter") (2005, rev. 2007)
dur. 23'

Cold Pastoral for percussion quartet (2004)
dur. 9'
crot, vib, sus.cym, siz.cym, hi-hats, sd, temp blk, tam-tam


Closing Time
for Alto Saxophone, Electric Guitar, Percussion, and Piano (2002/2004)
dur. 13'

Motet: tota pulchra es for soprano and ensemble (2000)
dur. 8'
fl, cl, perc, pno, vn, vc


Sonata: "une verrerie éphémère"
for flute, viola, and harp (1998, rev.1999)
dur. 14'

 

Cantata (1996-1997) for soprano and orchestra is a setting in three movements of Mallarmé's late sonnet " A la nue accablante tu" It was premiered in an arrangement for soprano and chamber ensemble by Kristin Hoffman (voice), Jesse Mills (violin), Nicolas Schneider (cello), Stephen Smith (guitar), and Aaron Jackson (piano) in Juilliard's Morse Hall on April 26, 1997.

 

 

Works for Soloist

 

Descent for electric guitar solo (2008)
Dur. ca. 11'

 

Silent Sister for percussion solo (2007)
Dur. 10'
vibraphone, 6 temple bowls, 2 indian bells, 2 dinner bells, 2 triangles.


Partita
for solo violoncello (2007)
Dur. 9'


Dosillos y Humeros
for solo percussion (2005)
dur. 13'
(see score for complete set-up)

Compassinges for solo percussion and electronics (2003)
dur. 8'
vib, mar, tape

Sonatina for Solo Violin (1998, rev. 2002)
dur. 9'
premiered in its original form by Colin Jacobsen in Paul Hall on March 24, 1998. A revised version was premiered by Harumi Rhodes at her Juilliard recital in the spring of 2002, and she subsequently performed it at a concert with her quartet, The Milton Quartet (a.k.a. The Sherry Quartet) in the series New Music on North Sixth at Galapagos on November 5, 2002.This performance was reviewed by Strings magazine: "The Evening's dark horse was Ryan Streber's Sonata for Violin Solo [ sic. ], an elegant and tightly crafted piece by a gifted young composer..."

[request score]

 

Electronic and Recorded Music

 

Bacchae (2006)

 

5 Songs for voice and misc electronic and amplified instruments (2002-2004)

 

Compassinges for solo percussion and electronics (2003)
(see above for details)